{"id":1812,"date":"2020-09-30T14:15:25","date_gmt":"2020-09-30T11:15:25","guid":{"rendered":"https:\/\/www.istanbulberlin.com\/?p=1812"},"modified":"2020-10-06T10:01:19","modified_gmt":"2020-10-06T07:01:19","slug":"soylesi-anke-eilergerhard","status":"publish","type":"post","link":"https:\/\/www.istanbulberlin.com\/en-de\/soylesi-anke-eilergerhard\/","title":{"rendered":"Anke Eilergerhard: Resilience Coping With the Virus"},"content":{"rendered":"

\u201cWith my art, I express things that I cannot express with words,\u201d says Berlin based artist Anke Eilergerhard. I am the first visitor of the exhibition<\/a> at Anna Laudel Gallery. We communicate in German, for my side things could get lost easily in translation. However, I am confident to write this piece that her art passes me a lot of the feelings and feelings cannot be wrong.<\/p>\n

It is her first time in Istanbul, as well as her vibrant, pulsing, deliciously inviting sculptures. They are in perfect balance but seem as they might just topple over. She points out that they all look as they have faces and they have different personalities, she tells me they are named with human names.<\/p>\n

\"\"

From left to right: Annalotta, Annabeth, Annastasia. Anke Eilergerhard, Resilience Exhibition, Anna Laudel, Istanbul, 2020, Photo by Kayhan Kaygusuz<\/p><\/div>\n

Resilience Coping with the Virus<\/strong><\/h6>\n

They are made of a special silicone material and porcelain. They are so shiny that the gallery created samples to touch for the impulse. Even they seem very soft, once you touch them you realize it is quite solid. Also elastic, it is springing right back into shape. That is one of the notions why she named the exhibition \u201cResilience\u201d, the material is resilient to pressure. She says, \u201can artist should always get up again\u201d. Her work 'Heavenly' portrays this notion, to be like a weeble, to make art, to be severely criticized, to accept, to produce again. She says that is such an important aspect that could be generalized to the whole society. \u201cNow we have to deal with this virus and to make the best of it.\u201d This idea comes to life in her works.<\/p>\n

\"\"

Anke Eilergerhard, Heavenly (Red),Highly Pigmented Polyorganosiloxan, Stainless Steel, \u00d8 35, 2020, Photo by Kayhan Kaygusuz<\/p><\/div>\n

I Took the Function of the Soccer Ball and Made It Beautiful<\/strong><\/h6>\n
\n

\u201cIn my works, in Pollen, there is a soccer ball inside. I am not a fan of the game and as the whole society is dominated by it, I took a ball and left it without its\u2019 functions. I made it more beautiful to my eyes.\u201d<\/p>\n<\/blockquote>\n

\"\"

Anke Eilergerhard, Die Polle White, leather soccerball, in plexiglass cube, 36 x 36 x 36cm, 2005.<\/p><\/div>\n

Reminds me of how, for example black communities, use the insulting word 'negro' within themselves, changing the meaning of the word from inside.<\/p>\n

Maybe this wonderful way of transformation is Eilergerhard\u2019s way to stay resilient. Entering the gallery is like entering the world she created by transformation.<\/p>\n

\n

I am thinking of Eilergerhard as a prism: She takes what comes from the world and just as a prism refracts the light, she gets them out changed, remolded with feelings: figures first, then colours, followed by names.<\/p>\n<\/blockquote>\n

To find the right colour for a sculpture could take more than two weeks for her, says her husband joining our conversation. These colours represents her emotions, she divides them to positive and negative, and the pastel tones are happier.<\/p>\n

\"\"<\/p>\n

The duality of the colours could be observed in shapes and ideas of works. She brings together the elaborateness of Baroque sculptures with silicone material. She interprets the traditional with colour and mistimes it. In her thirty year art career, layered cake has always been an important motive. It reminds me of the roles attributed to women: wedding cakes, cake cream and lace motives or porcelain that seems very traditional and classical that could fit in dowery. On the other hand whirling figures, or \"Crown\" that seems powerful and straight, echoes with masculinity.<\/p>\n

\"\"

Anke Eilergerhard, Crown, Resilience Exhibition, Anna Laudel, Highly Pigmented Polyorganosiloxan, Stainless Steel, 2016, 35 h x 34 cm.<\/p><\/div>\n

I ask her how gender roles are reflected in her art.<\/p>\n

\n

For me feminine and masculine are actually not separable. In an ideal form, female and male would be a unity.\u201d Just like Yin and Yang making a whole, she adds \u201cIf you look at cosmic laws, everything is balanced. Hence the form moves again.\"<\/p>\n<\/blockquote>\n

The exhibition continues at Anna Laudel Gallery until December 27th. Still the authenticity of experience makes a huge difference than digital.<\/p>\n

\"\"

Anke Eilergerhard, Lovelyn. It is an installation with sound, an optical illusion happens and it seems as if it pumps with the rhythm. With the name that has \"love\" in it, it is hard not to get drawn to it. Highly Pigmented Polyorganosiloxan, Stainless Steel, Kaide ile_With Pedestal 230 x 90 x 77 cm, 2016, Photo by Kayhan Kaygusuz<\/p><\/div>","protected":false},"excerpt":{"rendered":"

\u201cKelimelerle anlatamad\u0131klar\u0131m\u0131 sanat\u0131mla anlat\u0131yorum,\u201d diyor sanat\u00e7\u0131 Anke Eilergerhard. Anna Laudel Galeri’deki serginin ilk ziyaret\u00e7isiyim. Almanca ileti\u015fim kuruyoruz, konu\u015fmada ka\u00e7\u0131rd\u0131klar\u0131m olabilece\u011finden korkuyorum. Ancak i\u015fleri bende bir\u00e7ok duygu ve d\u00fc\u015f\u00fcnce uyand\u0131r\u0131yor ve duygular\u0131mla ilgili yan\u0131l\u0131yor olamam diyerek bu yaz\u0131y\u0131 kaleme alma g\u00fcc\u00fc buluyorum. Berlin’de ya\u015fayan Eilergerhard\u2019\u0131n kendisi de, nab\u0131z gibi atan, titre\u015fen, her an y\u0131k\u0131l\u0131verecek gibi duran \u00f6te yandan ince bir dengedeki heykelleri gibi ilk defa \u0130stanbul\u2019da. Galeride ziyaret\u00e7ileri kar\u015f\u0131layan heykellerin bir y\u00fcz\u00fc ve farkl\u0131 karakterleri oldu\u011funa dikkatimi \u00e7ekiyor, isimleri de insan isimleri. Vir\u00fcsle Ba\u015fa \u00c7\u0131kma Dirayeti \u00d6zel silikon bir malzeme ve porselenden yap\u0131lm\u0131\u015flar. Parlakl\u0131klar\u0131 dokunma arzusu uyand\u0131r\u0131yor, \u00f6yle ki galeri dokunulabilecek […]<\/p>\n","protected":false},"author":2,"featured_media":1826,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[445,447,71,80,446,448,449],"class_list":["post-1812","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-soylesi","tag-anke-eilergerhard","tag-anna-laudel","tag-contemporary-art","tag-exhibition","tag-kayhan-kaygusuz","tag-resilience","tag-sculpture"],"yoast_head":"\nAnke Eilergerhard: Vir\u00fcsle Ba\u015fa \u00c7\u0131kma Direnci - istanbulberlin<\/title>\n<meta name=\"description\" content=\"Berlin'de ya\u015fayan sanat\u00e7\u0131 Anke Eilergerhard'\u0131n kendisi de, canl\u0131, k\u0131p\u0131r k\u0131p\u0131r heykelleri gibi ilk defa \u0130stanbul\u2019da!\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.istanbulberlin.com\/en-de\/soylesi-anke-eilergerhard\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Anke Eilergerhard: Vir\u00fcsle Ba\u015fa \u00c7\u0131kma Direnci - 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