{"id":2323,"date":"2021-05-19T09:49:49","date_gmt":"2021-05-19T06:49:49","guid":{"rendered":"https:\/\/www.istanbulberlin.com\/?p=2323"},"modified":"2021-05-19T12:34:18","modified_gmt":"2021-05-19T09:34:18","slug":"unutma-bahcesinden-hatirlama-pratikleri-iki-ulke-iki-ev-iki-kadin","status":"publish","type":"post","link":"https:\/\/www.istanbulberlin.com\/en-de\/unutma-bahcesinden-hatirlama-pratikleri-iki-ulke-iki-ev-iki-kadin\/","title":{"rendered":"Remembering Exercises from The Garden of (not) Forgetting: Two Countries, Two Homes, Two Women"},"content":{"rendered":"
In the face of the potential destruction of the Botanical Garden founded by the Jewish German scientists Alfred Heilbronn and Leon Brauner, Dil\u015fad Alada\u011f and Eda Aslan ask, \u201cIs it possible to make space for the garden in urban memory?\u201d \nThis question leads them to a project centered around Alfred Heilbronn Botanical Garden and the plant-life established there entitled \u201cThe Garden of (not) Forgetting\u201d and an exhibition that could be seen in Depo<\/a> until June 6th.<\/h6>\n
In this piece, you will read the story of \u201cThe Garden of (not) Forgetting\u201d and a side story, brought to life from the archives, of a Turkish and a German women scientist, whose stories are connected by two houses they both lived, one in Istanbul and the other in M\u00fcnster, that feels like the script of a Hollywood movie.<\/h6>\n
\"\"

Team of The Garden of (not) Forgetting: Dil\u015fad Alada\u011f & Eda Aslan, Photo by Fikret Can Ku\u015fadal\u0131<\/p><\/div>\n

Alfred Heilbronn Botanical Garden was founded in 1935 by Alfred Heilbronn and Leo Brauner, who German-Jewish academicians that were forced to leave their homeland during World War II. The oldest botanical garden of Turkey was in the historical peninsula, right next to the S\u00fcleymaniye Mosque. Despite its precious location, it was not much known. \"When you make a search through internet, you can only find a few images, even the students of Istanbul University does not know about it.\"<\/p>\n

\"\"

Seeds from the Earth, 2020, Installation, original seed catalogues of Alfred Heilbronn Botanical Garden published between 1935-1993, 41 catalogues. 40x20x150 cm wooden shelf. Photo by Fikret Can Ku\u015fadal\u0131<\/p><\/div>\n

In 2013, there are rumors that it would be transferred to the Istanbul Mufti, that is affiliated to the Directorate of the Religious Affairs. This transfer happens in 2015 but stays confidential and it comes to the surface in 2017 and the garden physically moves in 2018.<\/p>\n

The journey of \u201cThe Garden of (not) Forgetting\u201d begins when Dil\u015fad Alada\u011f invites Eda Aslan to Alfred Heilbronn Botanical Garden in 2017.<\/p>\n

Dil\u015fad is an architect with research exhibition experience, Eda is an artist; they are two friends approaching to subjects as city memory and abandoned spaces with similar sensitivities. After their first visit, they start to spend long hours in the garden, four days a week.<\/p>\n

Memory Struggle<\/h6>\n

Dil\u015fad, tells their first visit to the garden with Eda as: \u201cWhen you go to an abandoned place in the center of a political debate, you see an empty space. Here, it was the opposite, the plants wrapped everywhere, they were entangled to themselves and the walls. On the other hand, they were neglected and everywhere was mossed. However, there was a liveliness coming down on you. It really was a space that does not accept to be abandoned or reacting to it.<\/p>\n

When the garden is being moved, Eda and Dil\u015fad wait \u201cwith tied hands and tears in their eyes.\u201d In a geography as Turkey and in the current pollical climate, they do not see a way of struggle that they could protect the garden in physical means. However, they say, \u201cwe could find the true stories of this place and tell them.\u201d And their memory struggle begins.<\/p>\n

\"\"

From the exhibition poster of \u201cThe Garden of (not) Forgetting\u201d, that is extended until June 6th.<\/p><\/div>\n

This struggle turns to a trip to Germany in the traces of personal archives, a research project that Salt promotes, the exhibition in Depo and a medium-length documentary film that is in the post-production phase. As in the book that came out because of the project, they pass by \u201cmany places on the trail of a place\u201d. The project that is centered the botanical garden and the plant-life established there, gains new layers with the stories of the garden\u2019s founders and professors.<\/p>\n

Here you will read the stories of three scientists that Dil\u015fad and Eda took out from personal archives, that takes place in two different houses, one in Turkey and the other in Germany and are intertwined by these houses. I choose to write about this story as it feels like a Hollywood scenario.<\/p>\n

To delve into other layers of the project that linger between reality and poetics, you could visit the exhibition at Depo<\/a> until June 6th.<\/p>\n

\"\"

Many Places on the Trail of a Place, 2021\nPrinted book. 15x23 cm, 143 pages, 500 copy. \nThe texts are written between February 2019 and March 2020 and published on Manifold<\/a>. Many Places on the Trail of a Place will be published both as a printed and e-book in collaboration with Manifold and with the support of SAHA.<\/p><\/div>\n

Alfred Heilbronn: Hope Raised by the Garden<\/h6>\n

Born in 1885 in F\u00fcrth, studies in Munich, works at the university in M\u00fcnster. His first wife is art historian Magda Heilbronn. He is Jewish but even Magda is not \u201cthey make little of the religious difference and get married.\u201d They have two kids named Hans and Agnes.<\/p>\n

Alfred and Magda build a house with nineteen rooms together.<\/p>\n

\u201cThe personal archive of Magda Heilbronn is magnificent, the photos of the house during construction that is step by step and the albums that were prepared with daintiness\u201d amazes Eda and Dil\u015fad. They attribute the detailed photos of the house to the rise of the Bauhaus school. Magda, \u201chas an incredible eye, all modern details of the house in different areas are captured in photographs.\u201d<\/p>\n

When they have to leave the Nazi Germany, Alfred Heilbronn first sought refuge in Switzerland. Magda and the kids stay in Germany. When he comes to Turkey, he also takes them along.<\/p>\n

Dil\u015fad and Eda finds an album of Alfred Heilbronn that belongs to the time that he settles in Turkey. Just like Magda documenting the house in M\u00fcnster, he takes the record of the garden.<\/p>\n

That was when we understood the importance of the garden. They took photographs of it between 1935 to 1937. There are many photos before the opening. From this album, we see how he raised hope on the garden and how excited he was for the new beginning. We also found his Turkish notebook. One of the conditions of this refuge is to learn Turkish in two years. In two years, both him and his children learn Turkish.\u201d<\/p><\/blockquote>\n

\"\"

Alfred Heilbronn\u2019s Turkish-German words notebook he took while learning Turkish, 1935, Alfred and Mehpare Heilbronn archive, with permission of Kurt Heilbronn.<\/p><\/div>\n

Magda Heilbronn: \u201cOrient Experience in Istanbul\u201d<\/h6>\n

In the last page of Magda\u2019s album, appears the apartment in Bebek they lived in. Eda and Dil\u015fad also found her album documenting the historical places in Istanbul. Magda \u201cis having an orient experience of sorts in Istanbul,\u201d with Dil\u015fad\u2019s words. Along with Turkish, she learns Farsi and Arabic. Her teacher is the child of one the elite families of late Ottoman times, a scientist herself and their friend Mehpare Ba\u015farman. \nMagda Heilbronn passes away in 1944 in Istanbul.<\/p>\n

\"\"

Mehpare Ba\u015farman teaching Farsi to Magda Heilbronn in Bebek, 1936, Alfred and Mehpare Heilbronn archive, with permission of Kurt Heilbronn.<\/p><\/div>\n

Mehpare Heilbronn: Acting as a Cultural Ambassador in Germany<\/h6>\n

In five years after Magda\u2019s death, Alfred Heilbronn gets married with Mehpare Ba\u015farman, and they start to live together in the apartment in Bebek.<\/p>\n

Just like Magda taking many photographs in this apartment, Mehpare also take pictures of the surroundings of the house and the Bosphorous.<\/p>\n

\"\"

Alfred Heilbronn and Mehpare Ba\u015farman togerher with professors from the university in the Botanical Garden; together with pharmacist in a botanics trip in Bosphorous, 1939, Alfred and Mehpare Heilbronn archive, with permission of Kurt Heilbronn.<\/p><\/div>\n

\"\"

Turkish general and statesman \u0130smet \u0130n\u00f6n\u00fc visits the Institute in September 21st 1942 and Mehpare Heilbronn shows him around, Alfred and Mehpare Heilbronn archive, with permission of Kurt Heilbronn.<\/p><\/div>\n

Alfred Heilbronn works in the university until 1950s and takes notes travelling in Turkey. They make the most reseach on the flora of Uluda\u011f. In 1951, their child named Kurt L\u00fctfi Leopold is born.<\/p>\n

Getting married with a Turkish women, Alfred also has to take Turkish nationality and this comes with a prize of losing the privilages of being a foreign scholar. His love to his work continues even he has to get retired in 1952. Taking his son together with, in 1956, he returns to the house in M\u00fcnster \"with the hope to live his family life there\".<\/p>\n

Mehpare stays alone for four years in Istanbul, meanwhile \u201cthings at the university take a turn for the worse.\u201d After the coup in 1960, Mehpare is one of the 114 professors that are sent down from the university. To continue her research, Mehpare goes to M\u00fcnster to her husband. Within a year, Alfred Heilbronn passes away. Even this is a sad end, his story, according to Eda and Dil\u015fad is full of hope: \u201cHe starts life fearlessly wherever he goes, he never looses his determination to work, create and teach. He educates many.\u201d<\/p>\n

\"\"

Alfred Heilbronn during botanics visits, 1951, Alfred and Mehpare Heilbronn archive, with permission of Kurt Heilbronn.<\/p><\/div>\n

8 mm Films<\/h6>\n

Mehpare goes through a depressive period where she does not leave this nineteen-room house as her son Kurt tells. She refuses to learn German and for a while she teaches in English and French at the university, however, she \u201ccannot get much involved in life and shuts herself in the house.\u201d This is also the time when so called \u201cguest workers\u201d arrive in Germany from Turkey.<\/p>\n

With this closure, she gets many letters from anyone who would be passing by, as if she was a cultural ambassador. In a letter, singer Adnan Pekak asks her to \u2018arrange a stage\u2019 for him. An other one would like to arrange a dormitory to his son but she does not know German.<\/p><\/blockquote>\n

Dil\u015fad narrates what they found in this archive:<\/p>\n

\u201cI am not exaggerating, we found thousands of postcards in about 5 boxes. During this period, they host many guests at the apartment and all guests write to guest books. We also found 8mm films where she filmed every corner of the house. Mehpare had another version of the sensitivity of Magda. \u2026<\/p>\n

They are living in Germany and visiting Turkey. These 8mm films are brand new in 1970s and their relatives in Turkey have never seen a place like that, they have not seen a fridge like that. She continues to act as an ambassador. There are videos where you could see all electronic devices in Germany. How the house looks from outside, the flower room, the music room. Kurt Heilbronn says: \u2018We would film Istanbul when we are visiting, there are many Istanbul videos. And we would film Germany when we are back home.'<\/p>\n

These films, the bond the two women established through the houses, were really interesting for us.\u201d<\/p>\n

\"\"

Kurt Heilbronn at their house in M\u00fcnster, the house in M\u00fcnster of the Heilbronn family, Alfred and Mehpare Heilbronn archive, with permission of Kurt Heilbronn.<\/p><\/div>","protected":false},"excerpt":{"rendered":"

Dil\u015fad Alada\u011f ve Eda Aslan, Alman-Yahudi bilim insanlar\u0131 Leon Brauner ve Alfred Heilbronn’un kurdu\u011fu Botanik Bah\u00e7esi’nin olas\u0131 y\u0131k\u0131m\u0131 kar\u015f\u0131s\u0131nda “\u015eehrin haf\u0131zas\u0131nda bah\u00e7eye bir yer a\u00e7mak m\u00fcmk\u00fcn m\u00fc?” sorusuyla bir yolculu\u011fa \u00e7\u0131k\u0131yorlar. Bu yolculuk, botanik bah\u00e7esini ve bitkilerin buradaki ya\u015fant\u0131s\u0131n\u0131 merkezine alan “Unutma Bah\u00e7esi” projesine ve 6 Haziran’a kadar Depo’da g\u00f6r\u00fclebilecek bir sergiye d\u00f6n\u00fc\u015f\u00fcyor. Bu yaz\u0131da “Unutma Bah\u00e7esi”nin hik\u00e2yesininin yan\u0131s\u0131ra, projenin ortaya \u00e7\u0131kard\u0131\u011f\u0131, biri T\u00fcrk di\u011feri Alman iki bilim insan\u0131 kad\u0131n\u0131n, \u0130stanbul ve M\u00fcnster’deki iki evde ge\u00e7en ve bu evler \u00fczerinden ba\u011flanan Hollywoodvari hik\u00e2yesini de okuyacaks\u0131n\u0131z. Alfred Heilbronn Botanik Bah\u00e7esi, 1935 y\u0131l\u0131nda Nazi Almanya\u2019s\u0131ndan ka\u00e7\u0131p T\u00fcrkiye\u2019de \u0130stanbul \u00dcniversitesi\u2019ne botanik k\u00fcrs\u00fcs\u00fcn\u00fc de […]<\/p>","protected":false},"author":2,"featured_media":2324,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[641,640,643,638,639,646,642,647,644,648,645,637],"class_list":["post-2323","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-soylesi","tag-alfred-heilbronn","tag-alfred-heilbronn-botanik-bahcesi","tag-depo","tag-dilsad-aladag","tag-eda-aslan","tag-furth","tag-hafiza-calismalari","tag-magda-heilbronn","tag-manifold","tag-mehpare-heilbronn","tag-munster","tag-unutma-bahcesi"],"yoast_head":"\nUnutma Bah\u00e7esi'nden Hat\u0131rlama Pratikleri: \u0130ki \u00dclke, \u0130ki Ev, \u0130ki Kad\u0131n<\/title>\n<meta name=\"description\" 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