{"id":2800,"date":"2021-10-12T17:00:00","date_gmt":"2021-10-12T14:00:00","guid":{"rendered":"https:\/\/www.istanbulberlin.com\/?p=2800"},"modified":"2021-10-13T13:50:39","modified_gmt":"2021-10-13T10:50:39","slug":"cem-karaca","status":"publish","type":"post","link":"https:\/\/www.istanbulberlin.com\/en-de\/cem-karaca\/","title":{"rendered":"Case File I Article III: Rebellion in a Borrowed Tongue: Cem Karaca & Die Kanaken"},"content":{"rendered":"
Bu yaz\u0131da rock m\u00fczisyeni ve Anadolu rock hareketi \u00f6nc\u00fclerinden Cem Karaca\u2019n\u0131n Almanya maceras\u0131n\u0131 okuyacaks\u0131n\u0131z. Bu maceran\u0131n az bilinen bir de meyvesi var: Almanca s\u00f6zl\u00fc Die Kanaken alb\u00fcm\u00fcn\u00fcn hik\u00e2yesini, d\u00f6nem tan\u0131klar\u0131yla yapt\u0131\u011f\u0131m\u0131z g\u00f6r\u00fc\u015fmelerle zenginle\u015ftirerek sizlerle payla\u015f\u0131yoruz.\u00a0<\/span><\/h6>\n

\u0130ngilizce \u00e7eviri: Zeynep Beler<\/p>\n

“\u2026 Bu \u00fclkede yabanc\u0131 i\u015f\u00e7ilere \u2018Gastarbeiter\u2019 deniyor halk aras\u0131nda. Yani misafir i\u015f\u00e7i, misafir \u00e7al\u0131\u015fan. Bu s\u00f6zc\u00fc\u011f\u00fc \u00fcretebilen halk\u0131n mant\u0131\u011f\u0131 bile bize ayk\u0131r\u0131 de\u011fil mi? \u00c7al\u0131\u015fan bir misafir!”<\/p>\n

Cem Karaca\u2019n\u0131n <\/span>Nokta Dergisi’ne <\/span>1986 y\u0131l\u0131nda verdi\u011fi r\u00f6portajdan [1]<\/span><\/p>\n

“Cem Karaca\u2019n\u0131n ba\u015f\u0131na gelen, pi\u015fmi\u015f tavu\u011fun ba\u015f\u0131na gelmemi\u015ftir. \u2026 S\u00fcrg\u00fcnl\u00fc\u011f\u00fc bile bir bulvar gazetesinin haberi nedeniyle ba\u015flay\u0131p kendini ait hissetmedi\u011fi di\u011fer T\u00fcrkiyeli s\u00fcrg\u00fcnlerle ayn\u0131 kefede, ayn\u0131 kategoride ve ayn\u0131 \u00fclkede ya\u015famak zorunda kalm\u0131\u015ft\u0131r. Kendini mecburen ay\u0131rd\u0131\u011f\u0131 s\u00fcrg\u00fcnlerden, Ye\u015filler gibi Almanya\u2019n\u0131n yeni sosyal hareket olarak tan\u0131mlayabilece\u011fimiz olu\u015fumlar\u0131 ile yak\u0131nla\u015fm\u0131\u015f, bu da Karaca\u2019n\u0131n en \u00f6nemli silah\u0131 olan dil kullan\u0131m\u0131n\u0131 bir kenara b\u0131rakarak \u00f6d\u00fcn\u00e7 dille m\u00fczik yapmas\u0131na neden olmu\u015ftur.\u201d<\/span><\/p>\n

M\u00fcnir Tireli, “<\/span>Cem Karaca ve Die Kanaken” <\/span>[2]<\/span><\/p>\n

“Kanake (-n): K\u00f6keni Hawaii’de insan anlam\u0131na gelen <\/span>kanaka<\/span><\/i> kelimesidir. Almanca konu\u015fulan \u00fclkelerde T\u00fcrkiye, Arnavutluk, \u0130ran ya da, Arap\u00e7a konu\u015fulan \u00fclkelerden gelmi\u015f g\u00f6\u00e7menleri a\u015fa\u011f\u0131lamak i\u00e7in kullan\u0131lan bir kelimeydi. Bu az\u0131nl\u0131klar daha sonra kelimeyi sahiplendi ve kendilerinden bu \u015fekilde bahsederek kelimenin anlam\u0131n\u0131 i\u00e7eriden de\u011fi\u015ftirdi.”<\/span><\/p>\n

Vikipedi<\/span><\/p>\n

\"\"

Cem Karaca & Dada\u015flar, 1971 \u00a9 Fehiman U\u011furdemir<\/p><\/div>\n

Cem Karaca, Almanya\u2019y\u0131 ilk defa 1967 y\u0131l\u0131nda, o zamanki grubu Apa\u015flar ile ziyaret etti. Daha sonra T\u00fcrk\u00fcola olacak Y\u0131lmaz As\u00f6cal\u2019\u0131n plak \u015firketi T\u00fcrkofon\u2019da yay\u0131nlanmak \u00fczere 45\u2019likler kaydetti. WDR Televizyonu i\u00e7in klipler \u00e7ekti ve T\u00fcrkiye\u2019ye d\u00f6nd\u00fc.\u00a0<\/span><\/p>\n

1967\u2019de kaydettikleri \u015fark\u0131lardan Resimdeki G\u00f6zya\u015flar\u0131, 1968\u2019de T\u00fcrkiye\u2019de yay\u0131nland\u0131 ve hit oldu. Bunun \u00fczerine Cem Karaca 68\u2019de bir daha Almanya\u2019ya geldi. \u201cAvrupa K\u00f6ln\u2019de Bulu\u015fuyor\u201d isimli bir festivale kat\u0131ld\u0131. K\u00f6lner Stadtanzeiger gazetesinin<\/span> haberine g\u00f6re, bu festivalde en \u00e7ok alk\u0131\u015f\u0131 Cem Karaca alm\u0131\u015f. Ayn\u0131 y\u0131l \u201cResimdeki G\u00f6zya\u015flar\u0131\u201d ve \u201cEmrah\u201d\u0131n \u0130ngilizcesini de yay\u0131nlad\u0131lar. Ancak bunlar tutmad\u0131.\u00a0<\/span><\/span><\/p>\n

Elvis Presley\u2019nin \u0130ngiltere\u2019de kaset d\u00fckk\u00e2n\u0131 a\u00e7t\u0131\u011f\u0131n\u0131 hayal edin!<\/span><\/h6>\n

Almanya\u2019dan plak \u015firketi Ironhand Records\u2019\u0131n sahibi Ercan Demirel\u2019e g\u00f6re \u201cCem Karaca\u2019n\u0131n Almanya hik\u00e2yesi ke\u015fkelerle dolu. Cem Karaca ile ilgili yayg\u0131n g\u00f6r\u00fc\u015f, tutuklama karar\u0131 nedeniyle \u00fclkeden ka\u00e7t\u0131\u011f\u0131 y\u00f6n\u00fcnde. Durumun b\u00f6yle olmad\u0131\u011f\u0131n\u0131 o y\u0131llar\u0131n gazete ve dergi haberleriyle Cem Karaca\u2018n\u0131n Alman televizyonuna verdi\u011fi bir r\u00f6portajdan biliyoruz.\u00a0<\/span><\/p>\n

1979\u2019da Edirdahan grubuyla konserler vermek i\u00e7in \u0130ngiltere\u2019ye gidiyorlar hem de <\/span>Pink Floyd<\/span><\/i>\u2019un konser verdi\u011fi \u00fcnl\u00fc Rainbow Arena\u2019da oluyor konserleri… Yurtd\u0131\u015f\u0131na \u00e7\u0131km\u0131\u015fken Almanya\u2019ya geliyorlar ve gurbet\u00e7ilerin ilgisinden dolay\u0131 bir s\u00fcr\u00fc konser ayarlama imk\u00e2n\u0131 buluyorlar.\u00a0<\/span><\/span><\/p>\n

\"\"

Edirdahan, Do\u011fu Almanya konseri \u00a9 Fehiman U\u011furdemir<\/p><\/div>\n

Almanya ve Hollanda konserlerinden sonra, 1979\u2019un Eyl\u00fcl ay\u0131nda T\u00fcrkiye\u2019ye gidiyor. Orada Hasret alb\u00fcm\u00fcn\u00fc U\u011fur Dikmen ve st\u00fcdyo m\u00fczisyenleriyle kaydediyorlar. TRT ekranlar\u0131nda alb\u00fcm hen\u00fcz yay\u0131nlanmam\u0131\u015f olmas\u0131na ra\u011fmen \u201cBu Bi\u00e7im\u201d \u015fark\u0131s\u0131n\u0131 s\u00f6yl\u00fcyor. T\u00fcrkiye\u2019de sa\u011f sol \u00e7at\u0131\u015fmalar\u0131 devam etti\u011fini g\u00f6r\u00fcnce de 11 Ocak 1980 tarihinde tekrar Almanya\u2019ya d\u00f6n\u00fcyor ve M\u00fcnih\u2019te kaset d\u00fckk\u00e2n\u0131 a\u00e7\u0131yor. Elvis Presley\u2019nin \u0130ngiltere\u2019de kaset d\u00fckk\u00e2n\u0131 a\u00e7t\u0131\u011f\u0131n\u0131 hayal edin!<\/span><\/p>\n

\u0130lerleyen y\u0131llarda, 1985\u2019te bir canl\u0131 yay\u0131na kat\u0131l\u0131yorlar ve Die Kanaken olarak performans sergiliyorlar. Cem Karaca orada kendi s\u00f6zleriyle anlat\u0131yor: 1981 y\u0131l\u0131nda bir bulvar gazetesinde bir haberin yay\u0131nland\u0131\u011f\u0131n\u0131 ve askeri idarenin kendisine yurda d\u00f6n \u00e7a\u011fr\u0131s\u0131 yapt\u0131\u011f\u0131n\u0131 belirtiyor. Fakat ba\u015f\u0131na geleceklerden korktu\u011fu i\u00e7in bunu reddetti\u011fini ve 1983 y\u0131l\u0131nda da vatanda\u015fl\u0131ktan \u00e7\u0131kar\u0131ld\u0131\u011f\u0131n\u0131 aktar\u0131yor.\u201d<\/span><\/p>\n

\"\"

DieKanaken, 1984 – 1986 \u00a9 Fehiman U\u011furdemir<\/p><\/div>\n

Die Kanaken Sahnede: \u015eark Ekspresiyle Gerisin Geriye<\/span><\/h6>\n
\"\"

Fehiman U\u011furdemir Die Kanaken ile sahnede, Do\u011fu Berlin Festivali, 1984 -1986 \u00a9 Fehiman U\u011furdemir.<\/p><\/div>\n

Karaca ile Almanya\u2019ya seyahat eden m\u00fczisyenlerin bir k\u0131sm\u0131 T\u00fcrkiye\u2019ye d\u00f6n\u00fcnce grupta eleman s\u0131k\u0131nt\u0131s\u0131 ya\u015fan\u0131yor. Alman bir bas\u00e7\u0131yla tan\u0131\u015f\u0131p birlikte \u00e7al\u0131\u015fmaya ba\u015fl\u0131yorlar. Karaca ile Almanya\u2019da kalan Anadolu rock sahnesinin efsanevi gitaristlerinden Fehiman U\u011furdemir aktar\u0131yor: <\/span><\/p>\n

\u0130\u015fte bu bas\u00e7\u0131 arac\u0131l\u0131\u011f\u0131yla bize Westf\u00e4lisches Landestheater\u2019dan bir tiyatro oyununda oynama ve m\u00fczik yapma teklifi geldi. Lise \u00e7a\u011f\u0131ndaki gen\u00e7lere y\u00f6nelik, o zamanlar alevlenmi\u015f ve olduk\u00e7a s\u0131k\u0131nt\u0131l\u0131 bir boyut alm\u0131\u015f olan yabanc\u0131 d\u00fc\u015fmanl\u0131\u011f\u0131n\u0131 ele\u015ftiren bir tiyatro oyunu: Ab in Den Orient Express [\u015eark Ekspresiyle Gerisin Geriye].<\/span><\/p><\/blockquote>\n

Bu oyun, yak\u0131n arkada\u015f olan Bernd ve Nuri aras\u0131ndaki bir iddia ile a\u00e7\u0131l\u0131r. Bu iddiaya g\u00f6re, Bernd bir haftal\u0131\u011f\u0131na T\u00fcrk olman\u0131n \u015fartlar\u0131n\u0131 yerine getirirse 100 Mark kazanacakt\u0131r. \u015eartlar \u015funlard\u0131r: T\u00fcrk k\u0131l\u0131\u011f\u0131ndayken sayg\u0131de\u011fer biriyle anla\u015fabilmek, bir devlet dairesinde i\u015f halletmek ve bir i\u015f bulmak. Nuri sonradan bir g\u00f6rev daha ekler; bir Alman k\u0131z\u0131n\u0131n g\u00f6nl\u00fcn\u00fc \u00e7almas\u0131 da gerekecektir. Bernd, takma b\u0131y\u0131\u011f\u0131, siyah \u015falvarl\u0131 y\u00f6resel kost\u00fcm\u00fc, de\u011fi\u015ftirdi\u011fi aksan\u0131yla bir haftal\u0131\u011f\u0131na S\u00fcleyman\u2019d\u0131r art\u0131k. Ba\u015f\u0131na gelenler kar\u015f\u0131s\u0131nda \u00e7ok \u015fa\u015f\u0131racakt\u0131r.\u00a0<\/span><\/p>\n

\"\"Daha sonra bestelenecek \u015fiirler i\u00e7eren bu oyunun senaryosu Harry B\u00f6seke ve Martin Brukert\u2019in kaleminden \u00e7\u0131km\u0131\u015f.\u00a0\u00a0<\/span><\/p>\n

Tiyatrocu bir aileden gelen Karaca, \u201cpe\u015finen karar veriyor\u201d ve U\u011furdemir\u2019i de pe\u015finden \u201cs\u00fcr\u00fckl\u00fcyor\u201d. U\u011furdemir aktar\u0131yor: <\/span><\/p>\n

Ben daha \u00f6nce tiyatroyla ilgilenmemi\u015ftim. Neyse ki fazla rol yapmam\u0131z gerekmiyordu, daha do\u011frusu kendimizi oynuyorduk. Ne hikmetse bu oyun epey ra\u011fbet g\u00f6rd\u00fc. A\u015fa\u011f\u0131 yukar\u0131 iki bu\u00e7uk sene kadar uzatmal\u0131 \u015fekilde oynad\u0131k. Avrupa turnesine \u00e7\u0131kt\u0131k. Danimarka\u2019dan Hollanda\u2019ya, Fransa\u2019dan yak\u0131ndaki kom\u015fu \u00fclkelere a\u00e7\u0131ld\u0131k.<\/span><\/p><\/blockquote>\n

\"\"

Orient Express, 1983 \u00a9 Fehiman U\u011furdemir<\/p><\/div>\n

\u201cKanaken \u0130nsanlar\u0131 D\u00fc\u015f\u00fcnmeye Sevk Etmek i\u00e7in Yap\u0131lan Bir Projeydi\u201d<\/span><\/h6>\n

Bu oyun ortaya bir de m\u00fczikal proje \u00e7\u0131kart\u0131yor. Karaca ve U\u011furdemir, Die Kanaken ismiyle bir alb\u00fcm kaydetmek i\u00e7in st\u00fcdyoya giriyorlar. Alman ba\u011f\u0131ms\u0131z plak \u015firketi Pl\u00e4ne\u2019nin y\u00f6nlendirmesiyle birlikte \u00e7al\u0131\u015ft\u0131klar\u0131 Alman prod\u00fckt\u00f6r, i\u015f\u00e7ileri fabrikaya yollar gibi<\/span> Die Kanaken \u00fcyelerini sabah\u0131n sekizinde st\u00fcdyoya sokar. O g\u00fcnleri U\u011furdemir, \u201cD\u00fcnyan\u0131n hi\u00e7bir yerinde b\u00f6yle bir \u015fey olmaz. Oysa biz o zamanlar, \u2018Almanya\u2019daki m\u00fczisyenler herhalde b\u00f6yle yap\u0131yor,\u2019 dedik. Sesimizi \u00e7\u0131karmad\u0131k,\u201d diye anlat\u0131yor.\u00a0<\/span><\/span><\/p>\n

Kanaken ideolojisi bamba\u015fkayd\u0131. Kanaken\u2019in amac\u0131 halk\u0131 e\u011flendirmek de\u011fildi. Tam tersine mevcut durumu ele\u015ftirmek, irdelemek, insanlar\u0131 d\u00fc\u015f\u00fcnmeye sevk etmek i\u00e7in yap\u0131lan bir projeydi. O zamanlar baz\u0131 par\u00e7alar\u0131, televizyon programlar\u0131nda canl\u0131 icra ettik. Bunun \u00fczerine alb\u00fcm\u00fcn sesi duyuldu. Ama daha \u00e7ok Alman entelekt\u00fceller aras\u0131nda ses getirdi. T\u00fcrkiye\u2019de \u00fcnl\u00fc bir \u00e2\u015f\u0131\u011f\u0131 dinledi\u011finizde bam telinize dokunur \u00e7\u00fcnk\u00fc dilinizde yaz\u0131lm\u0131\u015ft\u0131r, duygular\u0131n\u0131zdan, k\u00fclt\u00fcr\u00fcn\u00fczden bir \u015fey s\u00f6yl\u00fcyordur. \u0130\u015fte bence, Harry B\u00f6seke ve Martin Burkert\u2019in kulland\u0131\u011f\u0131 s\u00f6zc\u00fckler de Almanlar\u0131n bam teline dokunuyordu. Par\u00e7alar\u0131n derin s\u00f6zleri kar\u015f\u0131s\u0131nda konserlerde dinleyiciler isteseler de dans edemiyorlard\u0131.<\/span><\/p><\/blockquote>\n

K\u00f6ln’de kaydedilen alb\u00fcmde Fehiman U\u011furdemir’in yan\u0131s\u0131ra, Cengiz \u00d6ztun\u00e7, Sefa Pekelli, \u0130smail Tarlan ve daha sonra kendisiyle g\u00f6r\u00fc\u015fmemizi de yay\u0131nlayaca\u011f\u0131m\u0131z Betin G\u00fcne\u015f ile kaydedilmi\u015ftir. T\u00fcrkiyeli m\u00fczisyenler d\u0131\u015f\u0131nda “Beim Kaffee” \u015fark\u0131s\u0131ndaki keman\u0131 Clemente Alfredo ve “\u00c7ok Yorgunum”daki synthsizer\u0131 Dick Stadtler \u00e7alm\u0131\u015ft\u0131r.<\/p>\n

\u0130\u015f\u00e7isin Sen \u0130\u015f\u00e7i Kal vs. Es Kamen Menschen An<\/span><\/h6>\n

Yazar ve ele\u015ftirmen Ulrich Gutmair bu alb\u00fcm\u00fc ilk dinledi\u011finde 80\u2019lerin Alman pop sound\u2019una benzemedi\u011fini ve ilgin\u00e7 buldu\u011funu aktar\u0131yor. Sonra Cem Karaca\u2019n\u0131n T\u00fcrk\u00e7e bir alb\u00fcm\u00fcn\u00fc dinledi\u011fini ve Karaca\u2019n\u0131n bu alb\u00fcmle kendi sound\u2019una sad\u0131k kald\u0131\u011f\u0131n\u0131 anlad\u0131\u011f\u0131n\u0131 s\u00f6yl\u00fcyor.\u00a0<\/span><\/p>\n

\"\"

Die Kanaken, Cem Karaca & Fehiman U\u011furdemir \u00a9 Fehiman U\u011furdemir<\/p><\/div>\n

Bizce Es Kamen Menschen An (\u0130nsanlar Geldiler), Cem Karaca\u2019n\u0131n Anadolu rock \u00e7izgisine bu alb\u00fcmdeki en yak\u0131n par\u00e7a. Ayn\u0131 Ozan Ata Canani\u2019nin Deutsche Freunde \u015fark\u0131s\u0131 gibi, \u0130svi\u00e7reli oyun yazar\u0131 Max Frisch\u2019in kaleme ald\u0131\u011f\u0131 \u201c\u0130\u015f\u00e7iler \u00e7a\u011f\u0131r\u0131ld\u0131, insanlar geldi,\u201d s\u00f6zlerinden ilham\u0131n\u0131 alan ve efsane gitar solosunun bize \u201c\u0130\u015f\u00e7isin Sen \u0130\u015f\u00e7i Kal\u201d\u0131 an\u0131msatt\u0131\u011f\u0131 \u015fark\u0131n\u0131n, fazla lafa hacet b\u0131rakmayan \u015fark\u0131 s\u00f6zlerini payla\u015fmak istiyoruz:<\/span><\/p>\n

Man brauchte unsere Arbeitskraft, (\u0130\u015f g\u00fcc\u00fcm\u00fcze ihtiya\u00e7lar\u0131 vard\u0131)<\/span><\/span><\/p>\n

die Kraft, die was am Flie\u00dfband schafft (bant\u0131n akmas\u0131n\u0131 sa\u011flayan g\u00fcce)<\/span><\/span><\/p>\n

Wir Menschen waren nicht interessant, (Bizler ilgin\u00e7 de\u011fildik)<\/span><\/span><\/p>\n

darum blieben wir euch unbekannt (o y\u00fczden yabanc\u0131 kald\u0131k sizlere)<\/span><\/span><\/p>\n

Ramaramaramaramadah (amman amman amman amman)<\/span><\/span><\/p>\n

Gastarbeiter (misafir i\u015f\u00e7iler)<\/span><\/span><\/p>\n

Ramaramaramaramadah (amman amman amman amman)<\/span><\/span><\/p>\n

Gastarbeiter (misafir i\u015f\u00e7iler)<\/span><\/span><\/p>\n

Es wurden Arbeiter gerufen,\u00a0<\/span><\/span><\/p>\n

doch es kamen Menschen an (\u0130\u015f\u00e7iler \u00e7a\u011fr\u0131ld\u0131, insanlar geldi)<\/span><\/span><\/p><\/blockquote>\n