{"id":3103,"date":"2021-12-27T12:11:42","date_gmt":"2021-12-27T09:11:42","guid":{"rendered":"https:\/\/www.istanbulberlin.com\/?p=3103"},"modified":"2021-12-27T16:57:36","modified_gmt":"2021-12-27T13:57:36","slug":"simon-wachsmuth","status":"publish","type":"post","link":"https:\/\/www.istanbulberlin.com\/en-de\/simon-wachsmuth\/","title":{"rendered":"Being There: Presence and Reverberation"},"content":{"rendered":"
Piece and photos: Ay\u015fe H\u00fcmeyra Demirci<\/h6>\n
Edit\u00f6rial and translation: Sedef \u0130lgi\u00e7<\/h6>\n
The exhibition entitled \"Being There \u2013 Presence and Reverberation\" by the artist living in Berlin, Simon Wachsmuth is opened at Noks Art Space<\/a>, in Istanbul Kad\u0131k\u00f6y with also his attendence. It consists of four different sound installations taken from the sounds from his films recorded in Iran, Turkey, South Korea and India and would continue until January 16th.<\/h6>\n
\"\"

Simon Wachsmuth, captured by Ay\u015fe H\u00fcmeyra Demirci<\/p><\/div>\n

In Istanbul as a resident of Kulturakademie Tarabya, Wachsmuth gets his inspiration from the contemporary, political and sosiological relationships. In his work where he interprets the materials that are based in collective memory and social dialogue in his minimal and conceptual style, the re-construction of history in relationship with sociological phenomenons shines out.<\/p>\n

\"\"<\/p>\n

His works has been awarded withh prestigious prizes and he opened and contributed to exhibitions around the world. \"BeingThere\" is focuses on sounds instead of visual material that is unusual to his style. In the first room of the exhibtion space, awaits the visitors three loundspeakers and the in the second room a headphone. The loud speakers has sounds from India, Turkey, Iran and South Korea. The visuality that is evoked by these sounds are left to the visitor's imaigination.<\/p>\n

\"\"<\/p>\n

The exhibition can be visited until January 16th on Saturday, Sunday and Mondays between 14:00-18:00.<\/p>","protected":false},"excerpt":{"rendered":"

Yaz\u0131 ve foto\u011fraflar: Ay\u015fe H\u00fcmeyra Demirci Edit\u00f6rl\u00fck ve \u00e7eviri: Sedef \u0130lgi\u00e7 Berlin’de ya\u015fayan sanat\u00e7\u0131 Simon Wachsmuth\u2019un “Orada Olmak: Varl\u0131k ve Yank\u0131lanma” isimli sergisisi, 22 Aral\u0131k\u2019ta Kad\u0131k\u00f6y\u2019deki NOKS Art Space\u2019te kendisinin de kat\u0131l\u0131m\u0131yla a\u00e7\u0131ld\u0131. 16 Ocak\u2019a kadar devam edecek sergi, sanat\u00e7\u0131n\u0131n \u0130ran, T\u00fcrkiye, G\u00fcney Kore ve Hindistan\u2019da \u00e7ekti\u011fi d\u00f6rt farkl\u0131 filminden al\u0131nan seslerin yerle\u015ftirmesinden olu\u015fuyor. Tarabya K\u00fclt\u00fcr Akademisi konu\u011fu olarak \u0130stanbul\u2019da bulunan Simon Wachsmuth, ilham\u0131n\u0131 ge\u00e7mi\u015fle bug\u00fcn aras\u0131ndaki \u00e7a\u011fda\u015f, siyasi, toplumsal ili\u015fkilerden al\u0131yor. Kolektif haf\u0131zaya ve toplumsal diyaloglara dayal\u0131 maddelerin, kavramsal ve minimalist bir tarzla yorumland\u0131\u011f\u0131 \u00e7al\u0131\u015fmalar\u0131nda, tarihin \u00e7a\u011fda\u015f sosyolojik fenomenlerle ili\u015fkisi ve yeniden in\u015fas\u0131 \u00f6n plana \u00e7\u0131k\u0131yor. \u00c7al\u0131\u015fmalar\u0131 pek \u00e7ok […]<\/p>\n","protected":false},"author":6,"featured_media":3111,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[965,49,963,964,444],"class_list":["post-3103","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-zamanin-icinden","tag-being-there","tag-kulturakademie-tarabya","tag-noks-art-space","tag-orada-olmak","tag-simon-wachsmuth"],"yoast_head":"\nOrada Olmak: Varl\u0131k ve Yank\u0131lanma<\/title>\n<meta name=\"description\" content=\"Alman sanat\u00e7\u0131 Simon Wachsmuth\u2019un Orada Olmak sergisi, 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