{"id":3147,"date":"2022-02-21T14:26:49","date_gmt":"2022-02-21T11:26:49","guid":{"rendered":"https:\/\/www.istanbulberlin.com\/?p=3147"},"modified":"2022-02-22T14:27:29","modified_gmt":"2022-02-22T11:27:29","slug":"boycott-kunsthalle-berlin","status":"publish","type":"post","link":"https:\/\/www.istanbulberlin.com\/en-de\/boycott-kunsthalle-berlin\/","title":{"rendered":"#boycottkunsthalleberlin: Who Owns the Public?"},"content":{"rendered":"

Berlin artists are protesting the new art space opened in the old Tempelhof Airport and bringing the questions on public space up for discussion.<\/p>\n

To understand the boycott, we directed a few questions to artist and curator Zo\u00eb Claire Miller who is also a board member of Berlin\u2019s artists\u2019 association bbk berlin and Senior Director at Berlin Art Prize.<\/p>\n

Written by \u00c7a\u011fla Vera and Sedef \u0130lgi\u00e7<\/p>\n

Translated by Sedef \u0130lgi\u00e7<\/p>\n

Designated as an airport in 1923, reconstructed by the Nazis in 30s and closed all operations since 2008, a new art space was opened in Tempelhof Airport the end of January exhibiting French artist Bernar Venet\u2019s retrospective<\/a> .<\/p>\n

\"\"

From the Bernar Venet Exhibition Openning \u00a9 Stiftung f\u00fcr Kunst und Kultur<\/p><\/div>\n

It was learned that Foundation of Art and Culture (Stiftung Kunst und Kultur e.V.) that is directed by Walter Smerling was granted two of the hangars over the next two years. Giving a name that emphasises public \u201cKuntshalle Berlin\u201d to a private attempt, started a boycott in culture and arts sphere.<\/p>\n

Many artists started sharing #boycottkunsthalleberlin on social media. In meantime ten artists, Mona Hatoum, Ahmet \u00d6\u011f\u00fct, Dan Perjovschi and Constant Dullaart amongst them withdraw their artworks from the exhibition organized by Walter Smerling, called \u201cDiversity United\u201d.<\/p>\n

Artist Caner Teker declined the Young Artist Prize of this year by the Foundation for Art and Culture.<\/p>\n

On February 13th, artist and theoricians J\u00f6rg Heiser, Hito Steyerl and Clemens von Wedemeyer penned an open letter entitled \u201cWho Owns the Public\u201d and it was open to signature. Summing up what happened, and listing demands as \u201cthe lease of exhibition spaces to \u2018Kunsthalle Berlin\u2019 be stopped immediately and that their subsidies from public funds be discontinued,\u201d please read the letter from here<\/a> .<\/p>\n

\"\"<\/p>\n

To understand the of the piling on boycott movement, we directed a few questions to artist and curator Zo\u00eb Claire Miller who is also a board member of Berlin\u2019s artists\u2019 association bbk berlin and Senior Director at Berlin Art Prize.<\/p>\n

We are sharing her answers with also Turkish translation.<\/p>\n

\"\"

Zo\u00eb Claire Miller \u00a9 Cem \u00d6ztok<\/p><\/div>\n

    \n
  1. Walter Smerling thinks a boycott is never a solution. What do you say to that as an artist boycotting? What is the significance of a boycott in the art scene in general and for the Kunsthalle Berlin in particular?<\/li>\n<\/ol>\n

    Historically, boycotts have often been useful tools of nonviolent resistance, and specifically within art and its history, non-participation and withdrawal have their own long tradition. The purpose of a boycott is to change an intolerable situation. The significance of a boycott is the act and vocalization of non-acceptance via non-participation. It\u2019s understandable that Smerling does not see it as a solution for him, in his position, obviously he would prefer applause, collaboration, \u201cdialog,\u201d complicity or at least acquiescence; but not many within the Berlin art scene \u2013 with some notable exceptions \u2013 are willing to give him this.<\/p>\n

    While the so-called Kunsthalle with its gigantic advertising budget, gigantic billboards and sponsored posts, gigantic artworks may attract those without knowledge of context \u2013 let\u2019s call them the innocent public \u2013 anyone who has a clue about cultural policy, the desperate need artists have for affordable studios, how underfunded our actual public art institutions are, how much hard work, time, expertise, energy and unfortunately: luck it takes to apply for and possibly receive very small amounts of funding for cultural projects of high quality cannot condone this nepotistic land grab.<\/p>\n

      \n
    1. Tempelhof Airport is a place of historical remembrance. How do you see this space to be transferred into an exhibition space, was it a space Berlin art scene needed?<\/li>\n<\/ol>\n

      The Berlin art scene urgently needs more space for production and more funding for the exhibition spaces we already have. Whether Tempelhof should be an exhibition space at all is something that needs to be discussed collectively. Tempelhof is declared to be a space of art, culture, creativity. This is not happening so far. Considering the discrepancy between the stated goals of what the former airport is supposed to be, or be becoming, and what is actually happening: almost nothing (2022 public planned events in total: 1 pop\/rock music festival, 2 rock concerts, the \u201cKunsthalle\u201d), the question must be raised: what is going on behind the closed doors of Tempelhof Project? Does it make sense for the current renovation and use plans to continue if they are completely dysfunctional? What are the 80 staff members working on? If, as seems to be an open secret, any use is so prohibitively expensive that only the most profitable commercial events with corporate sponsoring are possible, should we instead return to the drawing board? Are parties involved for whom a total failure of the public company-run building complex\u2019s stated purpose would be practical, dovetailing with a great desire to develop and build commercial and luxury housing on Tempelhofer Feld?<\/p>\n

        \n
      1. How\/when will this boycott end, what are your demands?<\/li>\n<\/ol>\n

        The boycott ends when the so-called Kunsthalle ends \u2013 but the problems and debate gaining momentum with the unfolding events around the so-called \u201cKunsthalle\u201d do not end there. The bbk berlin has stated some initial minimum demands, independent of the boycott and protest movement, see our website. These demands will be made more precise and detailed over the course of a series of upcoming public events, as we look for the answers together that our politicians are unwilling to give. The first key demand is transparency, no more lies, full disclosure of how and why it was decided by whom to hand over such a large piece of Berlin\u2019s commons to Walter Smerling.<\/p>\n

          \n
        1. How is the bbk berlin positioning itself with the boycott? How important do you see associations for artists in this kind of situation?<\/li>\n<\/ol>\n

          The bbk informs about the boycott but is not formally involved in it. Several board members of the bbk berlin support the boycott full-heartedly, among them me.<\/p>\n

          Associations for art workers, just like unions for other types of workers are critical in hairy situations. The organized representation of interests of a largely precarious class of workers, possessing symbolic and of course cultural capital but little financial capital is key for our demands to be heard and met.<\/p>","protected":false},"excerpt":{"rendered":"

          Berlin sanat\u00e7\u0131lar\u0131 eski Tempelhof Havaalan\u0131\u2019nda a\u00e7\u0131lan yeni sanat alan\u0131n\u0131 protesto ediyor, kamusal alana dair bir tart\u0131\u015fma ba\u015flat\u0131yor. Boykotu anlamak i\u00e7in sanat\u00e7\u0131, k\u00fcrat\u00f6r, Berlin G\u00f6rsel Sanat\u00e7\u0131lar Meslek Birli\u011fi (bbk berlin) Y\u00f6netim Kurulu \u00dcyesi ve Berlin Sanat \u00d6d\u00fcl\u00fc (Berlin Art Prize) Direkt\u00f6r\u00fc Zo\u00eb Claire Miller\u2019a sorular y\u00f6nelttik. Yaz\u0131: \u00c7a\u011fla Vera ve Sedef \u0130lgi\u00e7 \u00c7eviri: Sedef \u0130lgi\u00e7 Berlin\u2019de 1923\u2019te planlanan, 30\u2019larda Nazi rejimi taraf\u0131ndan yeniden yap\u0131land\u0131r\u0131lan ve 2008\u2019den beri havaalan\u0131 olarak i\u015flev g\u00f6stermeyi b\u0131rakan eski Tempelhof Havaliman\u0131\u2019nda ocak sonunda Frans\u0131z sanat\u00e7\u0131 Bernar Venet Retrospektifini sergileyen bir alan a\u00e7\u0131ld\u0131. Berlin eyaletinin, Tempelhof\u2019un iki hangar\u0131n\u0131 iki y\u0131ll\u0131\u011f\u0131na Walter Smerling\u2019in y\u00f6neticisi bulundu\u011fu K\u00fclt\u00fcr ve Sanat Vakf\u0131\u2019na […]<\/p>","protected":false},"author":7,"featured_media":3156,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[972,971,974,969,973,970],"class_list":["post-3147","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-zamanin-icinden","tag-boycottkunsthalleberlin","tag-bbk-berlin","tag-boykot","tag-kunsthalle-berlin","tag-tempelhofer-feld","tag-zoe-claire-miller"],"yoast_head":"\n#boycottkunsthalleberlin: Kamunun Sahibi Kim?<\/title>\n<meta name=\"description\" content=\"Berlin sanat\u00e7\u0131lar\u0131 eski Tempelhof Havaalan\u0131\u2019nda a\u00e7\u0131lan yeni sanat alan\u0131n\u0131 protesto ediyor, kamusal alana dair bir tart\u0131\u015fma 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